After losing her firstborn son to gun violence, a mother gathers cherished memories and erased histories to connect his death to her city’s haunting legacy of racism. An impressionistic counter-narrative that refuses to follow the expectations of true crime, IN LOVE, IN MEMORY refracts quiet scenes of artistic intervention, collective storytelling, and tender remembrance through a prism of passing time.

In What Will I Become? directors Lexie Bean and Logan Rozos explore the vulnerability of their transmasculine community. They delve into their own personal experiences, intertwining the stories of two young trans men who died by suicide.

Two unhoused men turned community leaders— John and LaMonté —organize their neighbors in the face of displacement, addiction, and a failing social system.

When a massive Thirty Meter Telescope is proposed to be built on Mauna Kea, an uprising of kiaʻi (protectors) in Hawaiʻi and around the world dedicate their lives to protecting the sacred mountain from further destruction. Through the lens of mothers and daughters in three Native Hawaiian families, Standing Above the Clouds explores intergenerational healing and the impacts of safeguarding cultural traditions.

Filmmaker Colette Ghunim embarks on journeys with her parents to find the ancestral houses they were forced to flee as children in Mexico and Palestine. Colette’s initial desire to heal her disconnect from her cultures and her parents reveals an internal quest to discover home within herself.

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Matininó is a hybrid documentary about a multi-generational family of Puerto Rican women transforming their experience with violence into a science-fiction film. Our story begins with the decision of ldaliz Villanueva to flee from a violent marriage when her two daughters—María and Desirée—were 6 months and 7 years old. Thirty years later, the effects of this violence continue to reverberate both in their family and more broadly in their home of Puerto Rico. As a way to find meaning within their family narrative, the women of the Villanueva family come together to write and star in a science fiction film where women hold the power. Their film opens in the year 2080 in an alternative world created by the eight Villanueva women. Our protagonist is 67 year-old Hotu, as imagined and portrayed by ldaliz. Together with her daughters and granddaughters they struggle to escape a world self-destructing from violence and run towards Matininó, an elusive island that—according to Puerto Rican indigenous mythology—is solely inhabited by women. Through creative writing and movement exercises, we witness the family discussing their story and developing a science fiction script reflective of their past experiences and visions for the future.

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Most people dream of a better future. Pedro, an aspiring social worker, is no different. But as a blind, undocumented immigrant, Pedro faces political restrictions to obtain his college degree, secure a job as a health care provider, and support his family. As he finally graduates, uncertainty looms over Pedro. What starts as a journey to provide mental health for his community ultimately transforms into Pedro’s path towards his own healing. Through experimental cinematography and sound, unseen reimagines a cinema accessible for blind/low vision audiences, while exploring the intersections of immigration, disability, and mental health.

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When Ruby Duncan faces harassment by a fraud-obsessed welfare department, she ignites “Mother Power” mobilizing a welfare rights group to fight for justice, dignity, democratic participation, and an adequate income. With low-income mothers across the country, and two radicalized professors George Wiley and Frances Fox Piven, they form the National Welfare Rights Organization (NWRO). In 1972, with feminist Gloria Steinem, the NWRO campaigns for a guaranteed income. When thousands of Las Vegas families are slashed from the welfare rolls, Ruby calls the NWRO and launches “Operation Nevada.” They lead an army—including Ralph Abernathy and Jane Fonda—down the Strip into Caesars Palace, shutting it down. From protesters to lobbyists to founders of an anti-poverty community center, Ruby proves her mantra, “we can do it and do it better.” Featuring lost archival footage and a cast who played pivotal roles in these events, Storming Caesars Palace reveals that it is the disenfranchised who stand up for America’s principle of justice for all.

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On the heels of 2020’s global protests for social justice and the run-up to the US presidential elections, five Black and Latinx cyclists led by NYC-based messenger, John “Bobby” Shackelford attempt to traverse a route inspired by the Underground Railroad which led many enslaved Black people to freedom in the 1800s. Riding alongside the magnetic Bobby – Richard Carson, a camera-shy cyclocross racer from Indianapolis; Rashad Mahoney, a soft-spoken bike mechanic in Baltimore who loves the outdoors; Edwardo Garabito, a gregarious Latinx custom bike builder at a NYC shop and Alex Olbrich, a spirited DC bike salesman of Ghanaian-German heritage. They seek agency to combat the lack of representation in the ultra white world of cycling and to inspire BIPOC kids with their representation of Black manhood. Over the course of 17 days, as each man attempts this ambitious athletic feat, the challenges of the road transform them in this thought-provoking and complex tale of freedom and identity.

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Bring Her Home follows three Indigenous women — an artist, an activist and a politician — as they work to vindicate and honor their relatives who are victims in the growing epidemic of Missing and Murdered Indigenous Women. As they face the lasting effects of historical trauma, each woman searches for healing while navigating the oppressive systems that brought about this very crisis.

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After a 75-year-old immigrant mother gets fired from her job, her son takes her on a bucket-list adventure to reclaim her life. As she struggles to find work, he documents a journey that uncovers the betrayals plaguing her past and the economic insecurity shaping not only her future, but also that of an entire generation. Duty Free is a personal adventure documentary that uniquely examines issues of aging, economic insecurity, and family.

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Play is a lifeline for black girls across the generations. Little Sallie Walker tells the story of Patricia, Billie Jean, Raisha, Kristi and a collection of resilient black women and girls, who understand that coming of age in America has involved creating worlds-of-make-believe through different types of play. Patty cake, dress up, double dutch, doll-making, jacks, and hide-and-seek have offered sanctuary from discrimination, violence, and poverty. From New York, Alabama, California, and Washington State, they share and demonstrate how play lets them take their place in the center of their universe. While it exposes the beauty of black girl culture, play also fuels painful recollections of their struggles within their communities and in the larger society. In this impassioned and lyrical story, black women and girls attempt to find and affirm their whole selves as they navigate America.

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Sounds Like Thunder follows civil rights leader Reverend Dr. William Barber as he revives Dr. Martin Luther King’s 1968 Poor People’s Campaign. Told through song, prayer and personal narratives, Sounds Like Thunder is an intimate account of a “season of resistance” as a diverse coalition of thousands unite to end poverty and heal the nation.

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During the height of the Movement for Black Lives in Chicago, Unapologetic captures a community of millennial organizers confronting an administration complicit in state violence against its Black residents. Janaé and Bella, two Black queer women organizers, provide an intimate peek into the personal and political battles that transformed Chicago, from the police murder of Rekia Boyd to the election of Mayor Lori Lightfoot.

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The iconic statues and sensationalized “mysteries” of Easter Island (Rapa Nui) have drawn the interest of the world for centuries, attracting curious visitors to its shores. Today, this tiny, barren island is experiencing an economic boon as tourism skyrockets. Yet the indigenous culture and the island’s fragile environment are suffering.

Eating Up Easter, directed by native Rapanui filmmaker Sergio Mata’u Rapu, explores the dilemma his people are facing. Crafted as a story passed down to his newborn son, Sergio intertwines the authentic history of the island with the stories of four islanders. In their own voices, these Rapanui reveal the reality of modern life and the actions they are taking to preserve their culture and environment amidst rapid development.

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Going to Mars is a feature length documentary film in which Nikki Giovanni, one of America’s greatest living poets, orators and social commentators, will compel audiences to laugh and cry using her poetry and biting social commentary.  As a social commentator Nikki Giovanni stands toe-to-toe with the best. She has the satirical wit of a Will Rogers and the comedic timing of David Letterman. She has influenced both her contemporaries, from Muhammad Ali to Maya Angelou, as well as today’s hip-hop artists such as Kanye West. She in turn demands, using a contrarian point of view, that we question our assumptions about race, gender, equity and privilege and challenges us to hope and dream for a better tomorrow.

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In 1969, the Chicago Black Panther Party began to form alliances across lines of race and ethnicity with other community-based movements in the city, including the Latino group the Young Lords Organization and the southern whites of the Young Patriots organization. Banding together in one of the most segregated cities in postwar America to collectively confront issues such as police brutality and substandard housing, they called themselves the Rainbow Coalition. By 1973, the coalition had collapsed under the weight of relentless harassment by local and federal law enforcement. Although short-lived, it had an outsize impact: Breaking down barriers between communities, it created a permanent shift in Chicago politics and an organizing model for future activists and politicians across the nation. The First Rainbow Coalition tells the movement’s little-known story through rare archival footage and interviews with former coalition members.

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In the 1970s, with the swagger of unapologetic Indianness, organizers of the American Indian Movement (AIM) fought for Native liberation and survival as a community of extended families. Warrior Women is the story of Madonna Thunder Hawk, one such AIM leader who shaped a kindred group of activists’ children – including her daughter Marcy – into the “We Will Remember” Survival School as a Native alternative to government-run education. Together, Madonna and Marcy fought for Native rights in an environment that made them more comrades than mother-daughter. Today, with Marcy now a mother herself, both are still at the forefront of Native issues, fighting against the environmental devastation of the Dakota Access Pipeline and for Indigenous cultural values.

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As the trauma of more than a century of lynching African Americans bleeds into the present, Always in Season follows relatives of the perpetrators and victims seeking justice and reconciliation in the midst of racial profiling, police shootings, and heated national debate about the value of black lives.

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Down the road from Woodstock, in the early 1970s, a parallel revolution blossomed in a ramshackle summer camp for disabled teenagers. Crip Camp explores summer camp awakenings that would transform lives and shape the disability rights movement, and America, forever. Told from the point of view of former camper Jim LeBrecht, and steeped in the humor and music of the era, the film traces the journeys of campers up to the present day, in this untold story of a powerful journey towards inclusion.

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As cities today struggle with gentrification and social inequity, Decade of Fire offers an intimate historic portrait of the burning of the Bronx in the 1970’s, transcending era and geography. Set against irrefutably insurmountable odds, and told from the perspectives of the people who survived it, the film’s heroes demonstrate the lengths to which everyday people will go to save their communities; in this case – defending and rebuilding their neighborhoods with their bare hands.

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Nailed It chronicles the genesis and 40 year legacy of the Vietnamese nail salon and its influence on an $8 billion-dollar American industry. For mixed-race Vietnamese filmmaker Adele Pham, it’s personal as she confronts her conflicts with the culture and discovers a place within a trade seen by everyone but known to few.